Category Archives: Inspiration

Womenetics profile: Jacqueline Boone

Writing news!

I recently had the opportunity to meet and interview fellow writer Jacqueline Boone for Womenetics, a news, tips and feature hub for high-level professionals. I was thrilled to have the chance to write for their savvy, successful audience and equally thrilled to meet the subject of this profile. Click here to read.

Jackie is the founder of 6 Months to Live, a blog that chronicles her journey in living life fully — whatever that might mean in the moment. I can’t wait for you to hear more about her — what she’s accomplished and what she’s planning for the future. Sometimes you feel certain you’ve come across an individual who will impact the world on a major level. You don’t want to miss out on this.

Forbes.com ranked Womenetics as one of the top 100 websites for women, and the their new senior editor Janece Shaffer is an accomplished playwright and visionary. Check out their site and find them on Facebook.

Share

Ira Glass on storytelling

If you clicked through to read this, you probably already know who Ira Glass is and why so many people love him and his work. If you ventured over anyway and have no clue, please allow me a brief introduction.

Ira is the host and executive producer of This American Life, a fabulous radio show that has serious problems describing itself. Basically they search all over the country (and sometimes beyond) looking for real, good stories told by engaging, real people and usually each episode has a theme. It rocks. Also, Ira is cousin to composer Philip Glass, for whom people either swoon or harbor deep resentment, due to his unique approach to classical music. But back to Ira.

Recently I came across this video, a text-animated version of Ira talking about telling good stories. The content here is edited from a recording via Current TV and Public Radio International. This clip spoke to me because for one, I’m very interested in process and so often, creative people fail to discuss it publicly. I think mostly because talking about process requires avid discussion of failure, and few of us find pleasure in talking about our failures unless we have a huge success on the horizon that makes it all worthwhile. Second, more and more the art and craft of storytelling has become for me, one of our most meaningful abilities as human beings. Like, it’s what gets me going in the morning. So it’s encouraging to hear from such a bonafide pro on perhaps, the lesser-known, but still ubiquitous aspects of the form.

For your listening pleasure:

Ira Glass on Storytelling from David Shiyang Liu on Vimeo.

You can watch the full videos on YouTube. Although, if you’re like me, you might have to close your eyes. After so many years of hearing Ira’s voice on the radio (or podcast), completely isolated to auditory sensations, it’s just weird to watch him talk. I mean, even when they had the This American Life TV show, Ira was only on screen for a few minutes. Enjoy!

Share

Wannabe printmaker

Let’s add “photographer” to that list, too. I’m studying up, y’all. In Lacoste this summer, I’ll be taking a couple of classes that are somewhat out of my element. One is printmaking — the whole course is focused on the monotyping technique. The other is a digital photography course called The Photographic Travelogue. Explorations await.

I plan on spending some time in the studio with the lovely Colleen, a.k.a. master printmaker, before heading out to get some experience in the process. Monotyping is one kind of printmaking where you draw or paint on a non-absorbent surface, then transfer the image to a piece of paper by pressing the two together, typically using a printing press. Monotyping is known for making one unique print because most, if not all of the ink, is used in the process. It’s basically a printed painting.

Koichi Yamamoto

Ruth Weisberg

Gina Louthian-Stanley

My future professor of printmaking, Debora Oden


I’ve got so much to learn! This should be fun.

Share

Elizabeth Kostova tells it straight

I dare say, I made a new friend.

The bestselling author Elizabeth Kostova, worked with us writing students at SCAD Atlanta for the past two weeks. If you haven’t yet read The Historian or The Swan Thieves you, apparently, are one of very few. Her time with us was wonderful for many reasons:

1) Elizabeth is incredibly thoughtful and kind. Her widespread success (millions of copies sold, a movie in the works) seem to have made her an even more grounded writer. This quarter I’m taking a fiction class where we’re writing novellas. She lead the workshops on our works-in-progress, and had very meaningful insights. This woman means business! Her responses were fair and straightforward and she delivered encouragement and criticism with the same level of enthusiasm. That’s not easy to do.

2) Teachers make good teachers. Not every writer can teach writing. Not every writer can even read their own writing well. We’re lucky to have great professors in my program. Elizabet fit right in. Her writer’s background is what strong prose is made of — she worked for 10 years on The Historian, completing the manuscript in an M.F.A program at the University of Michigan. She’s taught extensively about writing as a craft — a skill you develop, not just a fancy that tickles you from time to time.

3) Generosity rules. Elizabeth launched a foundation that works with aspiring Bulgarian writers to give them a structure for developing their work. I found this so inspiring. I think the best writers beget more writers.

4) She’s pretty funny. I’m down with anyone who can make me laugh.

On her last evening with us, Elizabeth gave a reading to an audience of Atlantans, as well as SCAD students, faculty and staff. Typically, the writing department sits together and I happened to be sitting behind Dr. Teresa Griffis, associate vice president of the university, who I like to call the “mama bear” of our writing program. Dr. Griffis’ wardrobe always turns heads — a fellow student recently called her “pretty fly.” I would have to agree. I couldn’t help but snap these up during the reading. So fancy! From the podium to underneath the chairs, I’m telling you, we are not wanting for creativity at SCAD.

Share

Oh Milton

I’m so thankful to have mentors. If it wasn’t for Mike, father of my bff Baylee, there’s a lot I wouldn’t know about — well, a lot of things.

Mike is just one of those rare people who not only knows just about everything, but has an awesome ability to articulate his knowledge in an inspiring and challenging way. He’s a champion. The latest nugget he shared with me was Milton Glaser.

Milton, designer, visionary, teacher and many other great things. Mike told me about him and his work on magazines in an effort to expose me to an expert’s take on layout readability, as I gear up to begin my first quarter
as editor-in-chief of SCAN.

I watched the documentary on Milton To Inform and Delight over the weekend and it had a wonderful effect on me. I’m inspired.

Some of Milton’s work:



In the movie, Milton talks about designing as a way to answer a problem — how to communicate a message, create an experience, convey a feeling — the degree to which our world is created by people who thought about how to solve something really blows my mind. Everything from the label on your prescription drugs to the remote you use when watching TV. It’s all done in an effort to say something that’s experienced, and rarely spoken. That is pretty masterful storytelling.

Share

Take a breather

Sometimes I walk the halls at school, and I just catch my breath.

These are drawings by SCAD students and were posted during a class peer critique. If you’re at the Mac computer lab while the class is in session, you can sometimes hear what the students say to each other, or what the professor chooses to highlight. Love me some learnin’.

Share

This might require an explanation

…but why bother?

via cabinet of curiosities by way of micaeyes.

Share

Gimme some mo’

It started with this

Plus a little of that

Which resulted in this

And lots of these

And a very well-written this.

I think I always knew I’d end up with a musician.

Share

Connecting with the AIDS Memorial Quilt

In my Writing for New Media class this quarter, we are taking on a project.

The NAMES Project, actually. This is the foundation that manages the AIDS Memorial Quilt. They receive the panels that become quilts and send them out as requested — all in the name of celebrating the lives of people who have died from AIDS, educating others on the ongoing impact, and making sure their memories remain firmly in the forefront.

Our class took a field trip the Atlanta office a couple of weeks ago. We were all excited and a bit nervous, I think. The premise is that we’ll be recording podcasts, two to three minute interviews, essays and/or commentary to offer a behind-the-scenes look at the person behind the panel — that is, the person who was memorialized.

The NAMES Project staff was generous and welcoming. They let us wander around, ask questions and take pictures. This is a big moment. Imagine being able to click on a panel image, see who it was for, and hear a little bit about the person being honored. Everyday the staff receives panels from all over, made by friends and family. The packages include photos, letters and sometime mementos. People just want the ones they love to be remembered.

That’s Alex (l) and Max looking for stories in the archives. Our “assignment” this first go round is to try and make contact with a panelmaker, then interview them. We’re finding that many people can’t wait to share about the ones they’ve lost. It’s so moving. I’ll admit it. After reading this touching letter about a man watching his partner die, I kind of lost it for a little while (major snot bubbles).

It’s sad to hear about people dying, one after the other, from a disease we couldn’t even recognize for so long. But it’s so moving to hear the passion in how the family and friends want their loved ones remembered. That’s what got me. How would I honor the people close to me if I had to make that choice?

The individual panels are sewed into quilts. Eight panels per quilt. It’s a striking act — to combine something homey and comfy with an issue that is daunting and often difficult for people to discuss. Launched in the 80s when nobody wanted to touch AIDS (literally) that was exactly the plan. Get people talking — help them realize this is about people, not numbers.

That’s a lot of love.

Another classmate, Sydia, and our professor Darby Sanders.

Rebecca (front) and Angela. I really hope we can honor the amazing work of The NAMES Project, and the commitment from all the millions of people who’ve contributed to their mission over the years. Pretty amazing.

Share

Michele, full of grace

Over the break, Michele Norris came to town. Wait — my heart just skipped a beat.

I adore Michele Norris (and it’s pronounced MEE-shell). If you don’t know her by name, you probably know her voice. If you don’t know either, feel free to jump on the bandwagon. Michele is a news anchor for All Things Considered, NPR’s flagship program.

Her memoir, The Grace of Silence, was released last year to lots of acclaim. She dropped by The Carter Center to talk about how she came to write a book on her family, race in America and so much more. The entire audience was in love.


Michele (l), Valerie Jackson (r)

The interview was recorded as an episode of WABE 90.1′s show Between the Lines with Valerie Jackson. You can hear the full interview here (you want to listen).

People love Michele because she has come into their cars, homes and iPods everyday for years, making complex topics like terrorism and presidential elections as easy to digest as a Hollywood interview. On the radio she comes off as thoughtful, considerate and genuine, and in person it only gets better.

My mom was a radio news anchor for several years. She started out at KQED in the Bay Area, and continued at other stations when we moved to Central California. I remember when people we’d meet would discover the Angela they were talking to was THAT Angela. They’d get all giddy and excited. There’s something special about seeing the person behind the voice.

In one of my classes this quarter, we’ll be recording podcasts — interviews and essays we write and produce ourselves, based on stories we find at The Names Project Foundation. That’s the org that houses the AIDS Memorial Quilt. So, we’ll be writing pieces about people who’ve died, and the ones they left behind and who knows what else. Isn’t that amazing? Such a rare opportunity to do something that could really contribute to the world — or just a few people.

I’ve been thinking about stories to tell and people to interview, and the process has reminded me a lot of my mom being on the radio, and how in some ways, listening to Michele reminds me of listening to my mom. And the power of hearing someone’s voice on the air, even if you don’t know them — if they’re talking about something that matters to you, they could really make a difference in your life because you feel like they’re talking to you.

Maybe that’s why the The Carter Center audience was so reverent in Michele’s presence. Yes, she’s an expert in her field, a beacon for journalists everywhere, and her voice touches millions. But more importantly, you just know she doesn’t take that lightly. And the respect she has for that kind power, the kind of attention she gets — it means something to the rest of us. It means that just as much as we admire her, she’s kind of blown away by us, the listeners, too. And maybe, when you’re doing the talking, that’s the thing to keep in mind — the listeners have the most to say.

Share