Tag Archives: Los Angeles

Road to heaven, take LA Chinatown

It’s a ritual.

I fly into LAX and step into the smoggy southern California sunshine. I pick up a rental and maneuver myself (and anyone accompanying me) to the 110 North and exit 6th street in Downtown Los Angeles.

I get turned around and after a few close encounters with the wrong direction on a one-way street, I finally end up on N. Broadway between Alpine and Ord. I walk up the stairs to Pho 79 — or is it 97? I can never remember and the sign doesn’t match the address online. It really doesn’t matter.

I love it here. Located upstairs in tightly packed quarters, you will find this delicious Vietnamese hole in the wall on the edge of Chinatown. Sharing is caring.

Cha giò, the worlds best fried roll. A lot of places get lazy with the recipe and use wheat flour instead of rice paper. This makes it hard to distinguish from the popular Chinese egg roll and just doesn’t do this minced pork piece of heaven justice. Here at Pho 79/97 they do it right.

Wrap in lettuce with a few mint leaves, and dip in the nuoc cham sauce, the perfect balance of sweet, spicy and sour. Why do fried foods make me so happy? There must be a study on that somewhere. I mean I love fresh fruits and vegetables, I crave them. But I’ve never had an apple that makes me feel the way these rolls do.

On a full belly I make my way to my parents’ house where it suddenly hits me that I’ve been away so long. One of my goals over the next few years is to be able to visit my family and friends in the LA area three to four times per year. I figure with my different work projects it’ll be a snap. One must visualize these things. Until then, I come when I can for as long as I can. And I love every minute.

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A Getty Center birthday (part two)

I’m going to tell you a secret. I really love trams.

It’s strange, I know. I just like the order and simplicity they have. Simple purpose, simple job. This is the Getty Center tram that takes you from the street level parking deck to the museum up, up, up at the top of the hill. Breathtaking views abound, even if it is mostly grassy hills and very wealthy people’s backyards (wait, was that a vineyard we saw?). Isn’t it so cute?

The Getty has a café and restaurant to refuel between your viewing of various art exhibits. What is it about nicely organized eateries that you make you feel like you’ve never seen a sandwich wrapped in plastic before? Everything was so…Jetson-esque, but still nature inspired.

Grapes are from nature.

Who needs candles?

A birthday spent on a lovely southern California hill in a beautiful museum with delicious food is still nothing without the company of friends.

Baylee. She who has become a sister to me over the past nine years. God bless her ex-boyfriend who brought us together.

Sven, Aarin and Whitney, too, all little gems of west coast goodness. I’m so fortunate to have so many sweet, thoughtful people in my life. Accordingly, what’s a birthday without getting a little emotional?

Okay, enough, I can hardly stand it, hehe. Thanks guys, I had a blast!

Next post, a little bit on the exhibit we saw, Engaged Observers: Documentary Photography since the Sixties.

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A Getty Center birthday (part one)

Tucked away in the Brentwood neighborhood hills of Los Angeles, the Getty Center is one of my favorite places. In addition to its beauty, I have fond memories of spending a good amount of time here during college with some really great people. I can’t really tell you why I get so tickled every time I visit. Not that I would need a reason. It’s just got that vibe.

Awesome art exhibitions, great views, stunning architecture, and a fantastic garden, to boot. The Getty also features two awesome restaurants, but more on that later. I was thrilled to spend the first day of my 28th year with wonderful friends in such a beautiful place. Sometimes, dreams come true.

It didn’t even matter to me that we were rushed for time. The Getty does a wonderful job of making time stand still, even amid the rush and craze of a busy Saturday in LA. Floating above the Westside you get the feeling that yes, even today, the most important of requests can wait a doggone minute. Or two.

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Moving pictures with Tom Ford and Michael Jackson

I was listening to the gorgeous Tom Ford being interviewed on Fresh Air. That man is so fine. Anyway, a fashion guru for years, he’s released “A Single Man,” for which he wrote the screenplay and directed. Who knew? It stars Colin Firth and Julianne Moore. You know right off the bat since Julianne Moore is in it, you can expect copious amounts of regret, sadness and tragedy.

The basic gist is in 1960s Los Angeles, Colin Firth’s character loses his beloved partner in an accident, and he is so distraught by his loss that he prepares to commit suicide. In preparing to call it quits, he is suddenly vividly aware of all the wondrous details of his everyday life that before went ignored. Julianne Moore plays his BFF.

In his interview with Terri Gross, Tom Ford says something about filmmaking that really struck me. He makes a comment that since a film is a visual medium, you start with the images, piece them together, then — lastly — layer the dialogue on top. The preview makes the film look dashing, doesn’t it? And with no dialogue, the images are left to do all the talking.

Just a bunch of moving pictures. I love that. Why does it feel so good to get to the root of things?

So I was thinking of this interview, and Tom Ford’s comment (you can’t just say “Ford” or “Tom,” he’s too fine) when I stumbled across Spike Lee’s video of Michael Jackson’s last single “This Is It.” You know, the one that the big London concert series was named after. When I first saw the post, I wondered with the millions of images Michael Jackson left behind, which would Spike Lee use?

Michael Jackson – This Is It – Directed by Spike Lee40 Acres and a Mule Filmworks on Vimeo.

I guess at this point all there is left to do is either show how much the world loved him, or how much the world hated him. I’d choose love.

When I’m creating a written piece, I’m usually attracted to what someone says or an action that I observe (which I then describe) as opposed to seeing the image and then allowing words to arise from the scene. I like being able to think of it the other way around. It’s sort of like watching a movie in my head, then writing down what I see rather than creating what I see as I write.

I think maybe, today is a beautiful day for a collage.

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